Collection: Aryan Nandakishor Patil

The ideas of my current art practices are based on the dwarves' sculptures of Indian temple architecture. Although these figures are carved playful (in their expression and cute appeal), I feel a kind of forced compression in them.

Examining the portrayal of dwarf figures as marginalized individuals in ancient Indian art and drawing parallels with contemporary issues of labor rights and social inequality, my work aims to connect the symbolism and craftsmanship of traditional temple carvings with the realities of modern-day architecture and the spite of laborers. The issue laborers in India is deeply intertwined with Historical, Economic, and Social dynamics.

These dwarfs are often portrayed as holding up structures, such as beams or platforms, symbolizing their role in supporting the divine or cosmic order. This symbolic burden can be seen as a reflection of their status in the social hierarchy― bearing the weight of society, much like the lower castes in the human social order.

The depiction of dwarfs can be interpreted as a symbol of the marginalized and subjugated classes in society. Just as these figures are depicted as supporting or carrying the weight of temple structures; Marginalized groups, particularly lower castes have historically been burdened with the most laborious and menial tasks in society.

I feel we must acknowledge the larger contribution of them as a workforce and accept their identity of importance achieving equality which involves a comprehensive approach that addresses economic, social and legal factors. Promoting equality is not only a matter of social justice but also contributes to a more productive and harmonious society