Stone Age 7

In what appears to be a procession (or progress) moves from the wall/surface of a cave in central India going via the artist’s mind to be observed by those who will see her works. The participants of these procession have, in the process of transfer, acquired other forms. The forms have no body but appear to share organs. They share sight, that which orients us through the passage of time between the decoration of the walls of Bhimbetka to the artist’s (re)production. We see the transfer in a ne... Read More